This is a rectangular wooden Asmat carving depicting three individuals, most likely ancestor figures. It is comprised entirely of unpainted dark wood which is very grainy. The bottom and top of the piece are similar bars of straight wood. The sides of the piece are framed in decorative hornbill beaks which connect with the bodies of the three depicted individuals. The bottom individual is in a seated position, with bent knees and elbows resting upon the knees. The two upper individuals are crouched above the bottom individual, with the right one standing upon the shoulders. The arms of the left upper individual are grasping the counterpart’s waist, while its hands are grasping at the elbows of the other. All three figures are of ambiguous biological sex, as they lack either the characteristic carved genitalia features.
Ancestor worship plays an incredibly prominent role in Asmat society. The spirits of ancestors are commonly believed to inhabit the rainforests and the art pieces which depict them. Asmat artists carve the likeness of their ancestors into their works in order to call upon a variety of mystical enchantments or powers, such as protection in war, fertility, or good fortune. Ancestral carvings are often produced for events such as building dedications, ceremonial festivals, and funeral rites. After their primary function has been fulfilled, many carvings are discarded in the rainforests so that the spirits which inhabit them may rejuvenate the sago trees. Ancestral carvings are produced by the artist whose ancestors are depicted, making them of high personal value.
