132-A4-7
Displaying 1 - 5 of 5
| Catalog # | Name | Description | ||
|---|---|---|---|---|
| 1 | 2015-3-1A | Doll, Ibeji | Two wooden standing male figures on round bases. Hands are resting on their sides with legs apart. Short strong neck, classic Yoruba vertical and horizontal scarification marks on their cheeks. Both wearing caps and both figures are in good condition and date to the mid to late 20th Century. |
 |
| 2 | 2015-3-1B | Doll, Ibeji | Two wooden standing male figures on round bases. Hands are resting on their sides with legs apart. Short strong neck, classic Yoruba vertical and horizontal scarification marks on their cheeks. Both weaking caps and both figures are in good condition and date to the mid to late 20th Century. |
 |
| 3 | 2015-3-2A | Dolls, Ibeji | Two wooden standing male figures on round bases. Hands are resting on their hips with legs apart. The legs are rather short and arms elongated. Classic Yoruba vertical and horizontal scarification marks appear on both dolls with one face totally washed away from use. Glass beads appear around their neck and ankles. The complex coiffure is colored with blue indigo. Both figures are in good condidtion with erosion to one coiffure and split behind right shoulder of the other. Both figures date to the mid to late 20th century. |
 |
| 4 | 2015-3-2B | Dolls, Ibeji | Two wooden standing male figures on round bases. Hands are resting on their hips with legs apart. The legs are rather short and arms elongated. Classic Yoruba vertical and horizontal scarification marks appear on both dolls with one face totally washed away from use. Glass beads appear around their neck and ankles. The complex coiffure is colored with blue indigo. Both figures are in good condition with erosion to one coiffure and split behind right shoulder of the other. Both figures date to the mid to late 20th century. |
 |
| 5 | 2017-26-19 | Dogon Figures | The encrusted wooden Dogon sculpture depicts two African nude seated figures on a stool. The sculpture offers eloquent expression to the shared and symmetrical responsibilities of men and women in Dogon society. The visual commentary presents virtually identical forms of the male and female protagonists in their subtly distinctive roles. The two figures share eloquent, lifelike, and repeated elongated vertical elements with vary few differences. |
 |