EDInstruments

Displaying 1 - 50 of 55
Catalog # Name Description
1 ED1998.11.2 Comb Five metal tines with a wooden handle. This comb would be used with a guiro to create a scraping sound. Used namely in Latin American and Cuban music. ED1998.11.2 (Comb) image
2 ED1999.1.52 Hosho An African (Zimbabwean) instrument with three dark, spherical gourds attached to a stick. Seeds are in the gourds, creating a rattle when shaken. ED1999.1.52 (Hosho) image
3 ED1999.1.54 Kpoko-Kpoko Small red wood piece with faces on either ends. Two holes, one on each end, with strings strung through it holding pieces of wood that move to make sound. ard included with object: "Handmade from a light wood, then stained. This rattle originates in the southeast part of Nigeria where it is used as a part of rituals and dances and to celebrate market days." ED1999.1.54 (Kpoko-Kpoko) image
4 ED2019-1 Shekere Western African Gourd Rattle. A and B. Consists of a dried gourd with beads or seeds woven into a net covering the gourd. Throughout the African continent it is called different things, such as the lilolo, axatse, and chequere. This instrument and its variations originate in west Africa, and this particular one came from Cameroon. ED2019-1 (Shekere) image
5 ED2019-10 Sistrum Modern sistrum made from thin sticks, metal disks, and wire. Would be played by shaking the instrument.  ED2019-10 (Sistrum) image
6 ED2019-11 Kalimba Also referred to as a mbira or thumb piano. Made of a gourd cut in half, covered with a wood soundboard with a sound hole cut in the center. 6 keys attached on top, meant to be played with thumbs. An animal skin string is threaded through the bottom edge for hanging.  ED2019-11 (Kalimba) image
7 ED2019-114 Maraca A single red, green, and black maraca. Painted with a palm tree and other designs.  ED2019-114 (Maraca) image
8 ED2019-12 Drum African pellet drum ED2019-12 (Drum) image
9 ED2019-14 Drum A miniature dunun drum with animal hide covering the top and the bottom of the instrument. This instrument comes from west Africa and is played by holding the handle and hitting the drumheads. ED2019-14 (Drum) image
10 ED2019-151 Maraca Bell is made out of a gourd, filled with seeds and decorated with wood burned design. Wooden handle.  ED2019-151 (Maraca) image
11 ED2019-152 Rattle A Native American rattle with a long, brown handle and a white, animal hide top with black bird designs. Used as an instrument during ceremonies. ED2019-152 (Rattle) image
12 ED2019-153 Rattle A Native American rattle with a brown leather handle and brown and white beaded fringe. Hardened leather topper in the shape of a bear, filled with seeds or rocks. Rattles are typically used during ceremonies. ED2019-153 (Rattle) image
13 ED2019-154 Drum Hand drum, painted and made in the style of Lakota Native Americans. It is one-sided with 4 strings tied together on the back. ED2019-154 (Drum) image
14 ED2019-155 Drum Drum (B) and Striker (A). Tag included with drum: "The Sioux are a plains tribe. This drum was part of a kit called 'Black Elk drum.' Black Elk was a famous Sioux Native American who was a medicine man and a healer. The Sioux believed the roundness of the drum represented the wholeness of the universe. The drum is made of wood and animal hide. The Sioux belived that the hide (since it is from another living spirit) is sacred, and when the drum is beat the spirit of the animal flows with the spirit of the human." ED2019-155 (Drum) image
15 ED2019-166 Drum Small circle drum. Tag included with the drum: "In the culture of the American Indian, the drum takes on a meaning that is more spiritual than musical. Though used to keep time during dances, it has a greater symbolism. 'The drum is the heartbeat of the people. It links the people to Earth. No traditional Indian gathering would take place without a drum. It has always been that way. It goes further back than the history books.' As long as the drums continue to beat, the Indian way of life will survive." ED2019-166 (Drum) image
16 ED2019-17 Rattle A & B. Nigerian cocoa bean rattles. Traditionally the Igbo women in southeastern Nigeria wear a waist belt rattle, and ankle rattle on each leg, and a rattle in each hand when they dance in ceremonies and festivals. The woven material is raffia palm fiber and the beans are the husk of the cocoa bean.  ED2019-17 (Rattle) image
17 ED2019-170 Drum, Bodhrán A bodhrán drum which originates from Ireland. ED2019-170 (Drum, Bodhrán) image
18 ED2019-174 Whistle, Penny Also called a tin whistle or a flageolet. Six holed woodwind instrument. Most closely associated with traditional Irish and Australian music.  ED2019-174 (Whistle, Penny) image
19 ED2019-180 Kalimba Half Gourd with 5 metal thumb keys. Engraved on the front with a hole cut in the lower half. The keys rest on a raised wooeden block . There are small gashes on the back of the gourd and from on the front. Also is called mbira or thumb piano. ED2019-180 (Kalimba) image
20 ED2019-181 Drum, Slit A hand-carved percussion instrument commonly found in Africa and Southeast Asia. This object comes with a striker to make noise. Drum (A) and striker (B).  ED2019-181 (Drum, Slit) image
21 ED2019-185 Rattle Made of cocoa beans and braided rope tied together. Beans attached to rope and dangled with untied ends. Meant to be tied and shaken by waist ankles or arms. Rough edges on cocoa beans cut in half. ED2019-185 (Rattle) image
22 ED2019-188 Shekere A gourd without a stem that has a curved narrow top and a round bulbous bottom. Seeds are strung all the way around the bottom portion in a criss cross pattern to create a rattle.  Throughout the African continent it is called different things, such as the lilolo, axatse, and chequere. This instrument and its variations originate in west Africa, and this particular one came from Cameroon. ED2019-188 (Shekere) image
23 ED2019-191 Kpoko-Kpoko Nigerian percussion instrument. Carved faces on alternate side, X carved on opposite sides. Card included with object: "Handmade from a light wood, then stained. This rattle originates in the southeast part of Nigeria where it is used as a part of rituals and dances and to celebrate market days." ED2019-191 (Kpoko-Kpoko) image
24 ED2019-193 Guiro Cuban percussion instrument. Made of recylced cans. Open on both ends, with handle in the middle. Played by dragging a stick over the ridges.  ED2019-193 (Guiro) image
25 ED2019-194 Sistrum African percussion instrument. Double y-shaped piece of wood, with flattened bottle caps strung on wire between the legs of the y's. Used on market days in celebrations and in dances. Made by the Kikuyu of Kenya.  ED2019-194 (Sistrum) image
26 ED2019-196 Rattle Cocoa bean rattle- Cocoa beans strung together by braided rope. Rope is pierced through beans to connect them. Rope is tied off in knots on ends. Cocoa beans are halves, some have minor cracks on shells. Insides of some beans have unique marks, like scratches. From Nigeria ED2019-196 (Rattle) image
27 ED2019-2 Drum Kenyan Batá Drum ED2019-2 (Drum) image
28 ED2019-20 Rattle A fur and animal hide covered rattle that is filled with seeds. Likely from Africa, and is cylinder shaped. ED2019-20 (Rattle) image
29 ED2019-7 Rattle Cylinder, covered with animal skin. Filled with seeds so that it rattles when shaken.  ED2019-7 (Rattle) image
30 ED2019-70 Castanet A and B - pair of red castanets with handles. Popular in music throughout Southern Europe such as Spain, Greece, and Italy. ED2019-70 (Castanet) image
31 ED2019-72 Drum, Bongo A bongo drum with images of cartoon people from various cultures wrapping around the body. Bongo drums traditionally appear in Latin American and Cuban music. ED2019-72 (Drum, Bongo) image
32 ED2019-73 Drum, Conga A child-sized conga drum with brightly-colored images of wildlife around the body. Conga drums typically appear in Latin American or Afro-Cuban music. ED2019-73 (Drum, Conga) image
33 ED2019-79 Clave Wooden percussion instruments that are popular in Latin American (namely, Cuban or Afro Cuban) music. They are played by holding one in each hand and hitting them together to create a beat. ED2019-79 (Clave) image
34 ED2019-8 Kalimba Also referred to as a mbira or thumb piano. Made of a gourd cut in half, covered with a wood soundboard with a sound hole cut in the center. 7 keys attached on top, meant to be played with thumbs. An animal skin string is threaded through the bottom edge for hanging.  ED2019-8 (Kalimba) image
35 ED2019-81 Rattle Four egg-shaped rattles, blue (A), yellow (B), red (C), and green (D). Egg shakers originate in Latin America and are similar to instruments such as the maraca or the ganzá. ED2019-81 (Rattle) image
36 ED2019-9 Drum, Spinner A Native American spinner drum. Handle and pellets made out of pale wood, drum head made of tanned animal skin. It is played by holding the handle and twirling the instrument between the hands. ED2019-9 (Drum, Spinner) image
37 ED2020-6 Guiro Guiro instrument (A) and striker (B). Percussion instrument used in Latin America played by running the striker along the ridges.  ED2020-6 (Guiro) image
38 ED2021-109 Gopichand A string instrument from India played by plucking the string the stretches from the handle to the drum. This object is missing the string and the tuning nob at the top of the handle (where an empty hole sits). It is brown with a small drum end connected to a long handle that attaches to two sides of the drum.  Sticker on the front of the instrument reads "BINA - Bina Musical Store - Made in India."
39 ED2021-118 Adungu The adungu is a harp-like instrument from east-central Africa, namely in the areas of Uganda, Kenya, and the Democratic Republic of the Congo. This string instrument is small and dark brown with four strings and three tuning pegs (one is missing from the top). It is played by plucking the strings. ED2021-118 (Adungu) image
40 ED2021-147 School Bell A handheld school bell. The handle is black and the bell is a dark, brassy color with green oxidation marks starting to appear. Inside of the bell is a metal weight attached to a metal hook which swings back and forth to make noise. Compared to the other similar bell (ED2021-148), this one shows a lot more wear on the handle and on the bell. ED2021-147 (School Bell) image
41 ED2021-148 School Bell A handheld school bell. The handle is black with an extra metal cap attached to the tip and the bell is a light, brassy color. Inside of the bell is a metal weight attached to a metal hook which swings back and forth to make noise. ED2021-148 (School Bell) image
42 ED2021-149 School Bell A medium-sized, handheld school bell. The handle is brown with a piece of tape wrapped around the middle and the end of a screw appearing at the tip. The bell is a brown, brassy color. Inside of the bell is a metal weight attached to a metal hook which swings back and forth to make noise. ED2021-149 (School Bell) image
43 ED2021-152 Wind Chime A metal wind chime from India, likely from the Kutch district of India where Ghantadi (the art of metal bell crafting) is popular. This wind chime contains four gold-colored metal bells of varying sizes. The heart-shaped base of the wind chime is black with a short chain on top. ED2021-152 (Wind Chime) image
44 ED2021-154 Rattle Nigerian cocoa bean rattles. This particular object has 12 cocoa beans attached to the tan fibers of the string. The tag with the object reads: "Traditionally the Igbo women in southeastern Nigeria wear a waist belt rattle, an ankle rattle on each leg, and a rattle in each hand when they dance in ceremonies and festivals. About 10 women will dance and play to the same beat, so the sound of the rattles cuts through any drumming. The woven material is raffia palm fiber and the beans are the husk of the cocoa bean." ED2021-154 (Rattle) image
45 ED2021-165 Singing Bowl A gold-colored, metal singing bowl (A) from Tibet. The tag with the object reads: "Singing bowls are classic instruments and meditation tools commonly used in Buddhist and Hindu spiritual traditions. Found mostly in Tibet, they are used for meditation, relaxation, healthcare, personal well-being, and religious practice. By placing the object in the palm of the hand and rubbing it with a wooden/leather-wrapped striker, the rim of the singing bowl vibrates to produce a calming sound." Included with bowl is the wooden striker (B) used to produce the calming effect. ED2021-165 (Singing Bowl) image
46 ED2021-170 Bell A dull, gold-colored Tibetan bell (A) with a dark gold dorje (striker) (B). The tag with the object reads: "The dorje and bell are the primary ritual tools of Tibetan Buddhism. Always kept together, they represent many layers of symbolism and meaning, and are used in almost all Tibetan ritual ceremonies. Primarily, dorje and bell represent the masculine and feminine principles in the cosmos and in the individual's energy body. The dorje is always held in the right hand and the bell in the left." ED2021-170 (Bell) image
47 ED2021-175 Singing Bowl A gold-colored, metal singing bowl (A) from Tibet. The tag with the object reads: "Singing bowls are classic instruments and meditation tools commonly used in Buddhist and Hindu spiritual traditions. Found mostly in Tibet, they are used for meditation, relaxation, healthcare, personal well-being, and religious practice. By placing the object in the palm of the hand and rubbing it with a wooden/leather-wrapped striker, the rim of the singing bowl vibrates to produce a calming sound." Included with bowl is the wooden striker (B) used to produce the calming effect. This singing bowl is less faded than ED2021-165. ED2021-175 (Singing Bowl) image
48 ED2021-176 Dance Sticks A pair of Dandiya dance sticks, one with green stripes (A) and the other with red stripes (B). Dandiya is a dance performed at festivals in India. ED2021-176 (Dance Sticks) image
49 ED2021-20 Kalimba Also referred to as a mbira or thumb piano. Made of a gourd cut in half, covered with a wood soundboard with a sound hole cut in the center. 5 keys attached on top, meant to be played with thumbs. An animal skin string is threaded through the bottom edge for hanging.  ED2021-20 (Kalimba) image
50 ED2021-23 Bell Tibetan bell (A) with dorje (C) and striker (B). The dorje and bell are the primary ritual tools of Tibetan Buddhism. Always kept together, they represent many layers of symbolism and meaning, and are used in almost all Tibetan ritual ceremonies.  The dorje is always held in the right hand, and the bell in the left.  ED2021-23 (Bell) image