This is a wooden Asmat ancestor carving depicting a single male figure atop an abstract geometric structure. The entire piece is covered in a chalky red pigment which easily rubs off to the touch. The pigmentation is most abundant in the upper and lower portions of the piece, as the middle retains little flaking pigment. The figure is depicted standing with bent knees and hands cupped together at the midsection. The figure’s head is large in proportion to its body and is very angular. It features a prominent chin and brow, as well as a wide smiling mouth, sunken eyes, and pointed nose. Across the face and body are shallow carved lines which may indicate stylized musculature. The bottom of the piece consists of an abstract geometric construct which has three points with which to stick the piece in soft mud.
Ancestor worship plays an important role in Asmat culture and society, as the spirits of ancestors are believed to take active participation in the mortal world. Carvings are produced in the image of ancestors as a form of reverence and as a means to call upon spiritual powers. The spirits of the deceased are believed to inhabit these carvings, giving them mystical qualities. Carvings such as this are often produced for funerals, ceremonial festivals, and building dedications. Once the primary function of a carving has been fulfilled, it is discarded in the rainforest so that its spirit may rejuvenate the sago trees.
Colors: Red, White, Brown.
